← Back to selection

Classic Optics

Gallery restructured from historical documents.

Zeiss and others

Zeiss and others

Zeiss/Kodak F-6.3. Stylor lens by H.Roussel-Paris. Wide-angle 5×7 Protar V Bausch & Lomb F-18! Wide-angle stereo images of Neuschwanstein Castle, 1888, by J.Albert-München. "Die bayerischen Königsschlösser".

Zeiss and others
Zeiss and others
Voigtländer

Voigtländer

The Voigtländer Heliar! I am in love with it!

Voigtländer
Voigtländer
Stereoscopy

Stereoscopy

J.Richard accessories for Verascope stereoscopes: self-timer, close-up lenses, filters and the Lumière Filmcolor catalogue.

Stereoscopy
Sironar

Sironar

Rodenstock Sironar lens, 360mm.

Sironar
Sironar
Petzval

Petzval

Iris-type lens mount. Euryscope-Voigtländer and Petzval-Darlot, Paris.

Petzval
Imagon

Imagon

Rodenstock Imagon. Diffusion control.

Imagon
Rodenstock

Rodenstock

The Rodenstock Apo-Ronar with double chromatic correction. Apochromatic. F 1:9, 360 mm.

Rodenstock
Rodenstock
Schneider

Schneider

The Angulon wide-angle lens covering 18×24cm format. F 1:6.8, 210 mm.

Schneider
Schneider
Sonnar

Sonnar

By Zeiss, F 1:5.6, 250 mm. An exceptional piece!

Sonnar
Zeiss

Zeiss

Protarlinse VII, focal length 590mm, convertible, focal length 410mm. A double Protar -- already antique but of great beauty.

Zeiss
Carl Zeiss

Carl Zeiss

Anastigmat F-9, 505 mm.

Carl Zeiss
Carl Zeiss
Carl Zeiss Jena

Carl Zeiss Jena

Tessar F-2.7, 120 mm.

Carl Zeiss Jena
Carl Zeiss Jena
C. P. Goerz

C. P. Goerz

Doppel Anastigmat F-4.6, 180 mm.

C. P. Goerz
C. P. Goerz
Hugo Meyer

Hugo Meyer

Ihagee Anastigmat Trioplan lens F-3.5, 150 mm. Dr. Rudolph-Hugo Meyer & Co. Görlitz. Doppel-Plasmat F-5.5, 135mm.

Hugo Meyer
Ernemann

Ernemann

Doppel Anastigmat Ernon F-3.5, 75 mm.

Ernemann
Ernemann
Cooke

Cooke

Cooke Anastigmat Lens. F-4.5. 5.5 Inches. Series II.

Cooke
Cooke
E. Suter Basel

E. Suter Basel

Anastigmat F-6.8, 160 mm.

E. Suter Basel
E. Suter Basel
Kodak 7,7

Kodak 7,7

Kodak Anastigmat F-7.7, 170mm, from Eastman Kodak Co. with Century shutter. Kodak Anastigmat 7.7 with Kodak Ball Bearing shutter.

Kodak 7,7
Kodak 7,7
Wollensak

Wollensak

Oscillo Raptar 75 mm f-1/1.9. Large aperture. Self-cocking shutter on release. Capable of shooting an image sequence. Excellent for macro photography covering a 6×6 format.

Wollensak
Bausch & Lomb

Bausch & Lomb

Bausch & Lomb wide-angle lens. Protar V covering 5×7 inches. F-18. (1926)

Bausch & Lomb
Bausch & Lomb
Nicola Perscheid

Nicola Perscheid

Famous "soft-focus" portrait lens, created by photographer N. Perscheid and manufactured by Busch A.G. Rathenow, 1925.

Nicola Perscheid
Nicola Perscheid
Nicola Perscheid
Nicola Perscheid
Nicola Perscheid
Nicola Perscheid
Ross

Ross

H. Roussel

H. Roussel

Stylor, a soft-focus lens used mainly in the darkroom for enlarging work. Symmetrical anastigmat, two groups of three elements.

H. Roussel
H. Roussel
Berthiot

Berthiot

Olor lens by Berthiot of Paris. F-6.8, 85mm.

Berthiot
Berthiot
Boyer

Boyer

Boyer
Tribute to Dr. Miethe

Tribute to Dr. Miethe

Miethe telephoto lens (1891) and Hermagis-Paris telephoto lens. In the journal Photographische Rundschau und Mitteilungen there is a photograph of the moon taken by Miethe and Seegert (1911).

Tribute to Dr. Miethe
Taylor & Hobson

Taylor & Hobson

Four Taylor Hobson Cooke lenses. A letter for purchasing T&H products, 1937. According to the catalogue, these lenses were used to photograph Everest from an aircraft (1935).

Taylor & Hobson
Taylor & Hobson
Why a Telephoto lens?

Why a Telephoto lens?

Tele Dallmeyer-Dallon F-5.6 together with a company letter and catalogue (1928-1930).

Why a Telephoto lens?
Why a Telephoto lens?
Various filters

Various filters

Major brands with interesting graphic designs. The Ultrasorban, a Bernotar polarising filter by Dr. Bernauer. Iodine salts (Herapathite) crystallised between two pieces of glass.

Various filters
Obturadors

Obturadors

Obturadors
Filtres

Filtres

Filtres
Filtres